![]() ![]() I think these settings are per machine - so in shared environments would need to be set across all machines and also would need to be re-enabled if/when preferences are reset. if you change the AME AutoLog toggle after it is in the AME queue the interpretation in the sequence export will NOT be changed) Thus it is VERY LIKELY that exports that are sent via media encoder will NOT MATCH the levels/colour in PP unless PP and AME have the same AutoLog settings. This is NOT LINKED to the PP 'auto detect log color space' setting and also appears to be locked in at the moment the sequence is 'sent to media encoder' - either by direct keyboard command or via the export tab. Media Encoder, like PP, has a global 'auto detect log color space' toggle in General settings. I put this in the beta forum but may be relevant here, as folks get to grip with the recent colour transform developments. ![]() ARRI is one of our most important camera partners, and correct and full support for our mutal customers is critical. Feel free to drop me a private message if you'd like to talk on the phone about this. I hope this helps explains what's going on and what we're doing to fix it. ![]() What's coming next is HDE support for ARRIRAW plus proper support for Look files - including just turning them off globally. The improvements we've made so far with ARRI have largely been focused on much better performance for ARRIRAW (where we now use the GPU for acceleration) and supporting how the ALEXA 35 creates ProRes files. Candidly, it doesn't work well even for those cameras as there's no good way of managing it (like, in your case, simply turning it off). ![]() The Look functionality we have was built several years ago and only supports the ALEXA LF, the ALEXA Mini and the AMIRA, and only support ProRes. (The wording in the dialog box - "Embedded: AMIRA LUT" - is wrong it's not a LUT, let alone an embedded one.) My apologies if you already know this but ARRI Look files are metadata stored in ARRI files (ProRes and ARRIRAW) - so, quite different from the DP burning a LUT into the image. The longer story is that what you're seeing is a partial implementation of ARRI Looks. The short story is that we're working on this and should have it fixed before the end of the year. I know exactly what you're talking about and I know how frustrating it is. ![]()
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